dikari

                                                  dIkrI

                       p/emnu& zr8u& 2e dIkrI,

                                 idlnu& 3re8u& 2e dIkrI.

                                de=nI p/git 2e dIkrI,

                                b/Àa&6nI git 2e dIkrI.

                                :¼rnI den 2e dIkrI,

                                -a:nI ben 2e dIkrI.

                                ku4u&bnI 2aya 2e dIkrI,

                                mmtanI maya 2e dIkrI.

                               pPpanI la6kI 2e dIkrI,

                                dadanI lak6I 2e dIkrI.

                                matanI isi³ 2e dIkrI,

                                dadInI iri³ 2e dIkrI.

                               s<iQ4no =8gar 2e dIkrI,

                               vaTsLyno r8kar 2e dIkrI.

                              

                                                                            

Ae j marI ‘ma’

                            Ae j marI ‘ma’

            Laa`o yatnaAo shn krIne mne jNm detI

                                                 Ae j  marI ‘ma’.

            palvnI p/Itma& mne ba&0Ine frtI

                                                 Ae j  marI ‘ma’.

                    -U~ya rhIne potana rajku&vrne jma6tI

                                         Ae j  marI ‘ma’.

                     k6k6tI 5&6I ve5Ine mne hU&f AaptI

                                         Ae j  marI ‘ma’.

                     Sneh9I trboX halr6a& ga:ne mne suv6avtI

                                         Ae j  marI ‘ma’.

                     bXbXta bpore =ItX 2a&ya AaptI

                                         Ae j  marI ‘ma’.

                     mmtana mhasagrma& smavIne mne p/em krtI

                                                 Ae j  marI ‘ma’.

                     vrsadma& -I&ja:ne mne Ao7va 2{aI AaptI

                                         Ae j  marI ‘ma’.

                     marI ‘tj$nI’ zalIne mne duinya de`a6tI

                                         Ae j  marI ‘ma’.

Respected sir,
                 

                                  Here is my response on "Structure Sign and Play in the Discourse of the Human Sciences".Deconstruction theory nearly on postmodernism. And deconstructed means that text or literary theory are combine works together in literature. The concept of supplementarity follows from decentrring the centre. A literary text is a work of language and language as such according to Derrida, is like time, ever in a state of flux. Just as time has no origin, so also the origin of language is inconceivable. All that we can say is that it came into being fully, not bit by bit along with the emergence of man, and will disappear along with man.

  

          

          According to Richard Ellmann points of view about deconstruction that, ‘Deconstruction' as the systematic undoing of understanding. The concept of supplementarity follows from decentering. Let’s take one example of TV serial  service vali bahu .In this serials represent in the society give up dowry.

Respected Sir, 

      "The structure is the main heart and the soul of any literary work " according to my point of views. The story is well developed with the structure. It interprets and analyzes the human behavior and culture in the story. For example, The Strange Case of Dr. Jekyll and Mr. Hyde is a novel of full suspense and horrors.The story of ‘Dr. Jekyll and Mr. Hyde is full of mystery. The elements of mystery have made the story interesting. The story is mainly concerned with a moral problem. But the real interest lies in the mystery of the relationship between Dr. Jekyll and Mr. Hyde. This mystery has made the novel very popular among the readers.

           The real mystery is revealed in the murder of Sir Danvers Carew by Mr. Hyde. The maid - servant’s description of Mr. Hyde’s brutal act is full of mystery. The mystery becomes intense when Mr. Utterson recognizes the stick as one described by him to Dr. Jekyll. The mystery deepens when Jekyll hands over a letter supposedly written by Hyde to Mr. Utterson. This letter adds to the mystery. Mr. Utterson consults his head clerk, Mr. Guest, showing him the letter and a note of invitation by Dr. Jekyll. Mr. Guest after comparing the handwriting gives opinion that both the hands were identical in all respects though differently sloped intentionally. We find here that the mystery is at its climax. Then he follows the renewal of life of Dr. Jekyll. When Mr. Utterson goes to see Dr. Jekyll, he is denied to admit. Here the mystery of situation arises. Then comes the death of Dr. Lanyon. Dr. Lanyon is shocked so as to be at the point of dying. Finally, he meets his tragic death. The death of Dr. Lanyon creates a lot of mystery in the novel. What is the cause of Dr. Lanyon’s fatal shock? Why does he not reveal it to Mr. Utterson

True Love by William Shakespeare

True Love by William Shakespeare

 Analysis

 Shakespeare is talking about love and lovers. There are many wrong ideas about love. People call love as blind. But love is not a person. It has no eyes. It is only a feeling. So feelings can’t be blind. Problems come into the life of lovers. But if they face them bravely, they would be solved. There should be understanding between the lovers. If they truly understand each other’s heart and mind, their lives would be happy. Such ideas are conveyed through this poem.

        In the opening of the sonnet, the poet tells that there is no hindrance in the marriage of the true souls. When mistakes arise and we find alteration, it is not love. It is in the sense that feeling should not be changed in any condition.

         In the next stanza the poet tells us that love is like ever - fixed mark. It is really beautiful image. It means that love is permanent. Love can’t be easily removed by the time. It is eternal. In the sea, the fixed mark shows the direction to the ship. Like that way love gives and guides in the proper direction in the life. Once again the poet brings imagination of ‘star’. Star always shines in the sky. Same way love is shining. Star shows the position of wondering bark in the sea and love has eternal shining and guiding. the life always needs such star.

         The poet is not yet happy only saying this. He becomes emotional. He applies his all power to bring effect. He makes love heightened. Its value is unknown. From the birth to death in our life we need love. Life has a great span. A time is a great destroyer. It destroys us by his cruel saw but time can’t keep its lustrous eyes on love. Love remains eternal. For life, the poet uses some direct words like “rosy lips and cheeks”.

         Love does not alter in the course of time. It stays with us to the dooms day. For that the poet uses the words “The edge of doom”. Thus, love is one of the elemental sources of life. The last two lines are marvelous. It has deep effect on what have been said earlier. The poet tells that if love is error and it is proved, he will never write any poem or none will even love. But this is not so. The cycle goes on and on.

Figures of speech: They are the ornaments of the poem. The poet has used metaphors, personifications and images. Love is a feeling. It is not an object that can be removed or bent. But the poet made it a concrete form and then he argued for it. Human form is given to the star so it is a personification. The star is looking upon the world. It is guiding. Love is not a fool person. Love has rosy lips and cheeks so these figures make meaning and feeling intensive. Through these devices the poet is trying to create a mental picture. We are led to see as the poet wishes. Through ‘fixed star’ and ‘rosy lips and cheeks’ a visual image has been created.